游园之所，烟火真味 I
Where the garden strolls, the true taste of fireworks.

山与海在此交汇——五湖四海的顾客们曾一次次被味道征服，曾经门铺的拙朴印迹，转化为承载本地文化餐饮的精妙容器，迎来新生。

The mountains and the sea converge here—customers from all over the world have been repeatedly captivated by the flavors. The once humble traces of the storefront have transformed into exquisite vessels that carry the local culinary culture, embracing a new life.

宋代郭熙提出了山水画的取景构图法 — 三远法，沿着这一线索将空间划分为仪式、怡情、雅集，不仅可观景，又能品味其中。红枫的影子跃动在毛石之上，斑驳的墙色与不同的肌理交织在一起，通过多维的表达形式，唤起人与自然、生活与艺术之间的对话，营造出一个宁静、自然、富有诗意的空间体验，为宾客呈现一场多层次的美学盛宴。土、石、树、水解构了古朴的主色调，构建了疏落的布局和温润的质感。独特的透光树脂板与飞瀑主题的LED灯光相结合，再次塑造了现代空间的语言。

In the Song Dynasty, Guo Xi introduced the compositional method of landscape painting—the Three Perspectives. Following this thread, the space is divided into rituals, pleasures, and refined gatherings, allowing both the appreciation of the view and the savoring of the experience. Red maple leaves dance above the rough stones, with the weathered wall colors blending with various textures. This multi-dimensional expression evokes a dialogue between nature and humanity, life and art, creating a tranquil, natural, and poetic space. It offers guests a multi-layered aesthetic feast. Earth, stone, trees, and water deconstruct the ancient primary hues, while the layout, both open and sparse, along with a warm, tactile texture, fosters a sense of calm. The translucent resin panels, combined with the LED lights themed around cascading waterfalls, reconstruct the space using a modern design language.

水产城店采用仿古的门檐设计，山水画中的廊亭结构勾画出新中式融合餐饮的风貌。在这座传统建筑中，仍能感受到与自然共生的理念，重新开启了连接“食物”和“真实”的旅程。

The Seafood City location features antique-style eaves, and the pavilion structure inspired by landscape paintings outlines the new Chinese-style fusion dining concept. In this traditional architecture, the philosophy of coexistence with nature is still felt, reopening the journey that connects "food" with "reality."